l.a. gun club

_MG_0829
Canon EOS-5D Mark II - EF 70-200mm 1:2.8L IS USM - iso3200 - f/2.8 1/160 sec

Should we go to the movies or... to the gun club?
Completely impossible back home in Germany: you go to a gun club shooting on a friday night with your friends, choose the weapon and with a short instruction you get it handed over together with the ammunition. In a basket over the counter. Then you walk to the shooting range and shoot as long as your supply lasts.
If you asked yourself, what would happen, if anyone goes crazy with the guns there, a quick look at the personnel assures you, that they would use their loaded guns.


|

scheimpflug in alcatraz

_MG_1190-1
Canon EOS-5D Mark II - TS-E 24mm 1:3.5L - iso100 - f/3.5 1/1600 sec

Tilting Canon´s TS-E 24mm Tilt + Shift lens rotated the focal plane for an unusual depth of field. Called the bird in focus “Scheimpflug”, but it wouldn´t listen...
And I like crushing the blacks in this one, something that we always avoid in the world of feature films. Guess that´s why I like it once in a while...
|

jumping america

_1S_8913-Edit
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/4.5 1/1600 sec
|

san francisco

_1S_8867
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/2.8 1/3200 sec

Hiking in one of San Francisco´s parks.


_1S_9005
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/4 1/1600 sec

View to the bay from Alcatraz. The gulls and birds have taken over the small island long ago.
|

alcatraz

_1S_9036
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/8 1/160 sec

_1S_9033
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4 1/60 sec


Locked up in Alcatraz. Great location, if one ignores the other 300 tourists on the island...
There are some photographic opportunities once you aim your cameras away from the crowd. The boat trip to Alcatraz was part of a weekend in San Francisco.

|

hollywood hiking

_1S_8806-Edit_flat
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso400 - f/6.3 1/800 sec

Hiking in the Hollywood hills on a Saturday afternoon. Two colleagues jumping on a hill, Los Angeles Downtown in the distance and some color processing in Lightroom.

_1S_8838
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso400 - f/4 1/640 sec
|

runway beauty and the plane

_1S_2242-Edit
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4.5 1/80 sec

End of a long and fascinating shooting day at the airport.
|

hollywood moon

0164_1D_0148And6more_adjust
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/8 1/400 sec

Moon over Sony Pictures Studios in Culver City, Los Angeles. Sometimes one can find Hollywood on top of a parking garage.
|

california moon

_MG_0069
Canon EOS-5D Mark II - EF 600mm f/4 L IS USM - iso100 - f/4 1/1000 sec

Dark of the Moon: Poems of Fantasy and the Macabre, Arkham House, 1947



|

More 600mm f/4

_MG_0608-Edit-Flat
Canon EOS-5D Mark II - EF 600mm f/4 L IS USM - iso250 - f/8 1/2500 sec

Need to get one of these amazing Canon Tele lenses one day... love the 600mm, but the 500mm f/4 is substantially lighter and a bit smaller, so you can even hand hold it for a while. The 600mm is simply too heavy.

_MG_0218_edit
Canon EOS-5D Mark II - EF 600mm f/4 L IS USM - iso100 - f/5 1/800 sec

100% crop (actual pixels): the 600mm with the 5D Mark II reveal the heat distortion around the engines of a jet. Sometimes reality looks like a crazy bump map....

_MG_0218
Canon EOS-5D Mark II - EF 600mm f/4 L IS USM - iso100 - f/5 1/800 sec
|

Canon EOS 5D Mark II and Canon EF 600mm f/4 L IS USM

_1S_2236
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4.5 1/25 sec

Due to some late hours and pressing deadlines I have neglected this blog for a while. But I have been shooting...
In this case I had the opportunity to shoot my new Canon EOS 5D Mark II with the amazing Canon EF 600mm f/4 L IS USM, one of the worlds finest super-tele lenses. Since the 5DM2 arrived right before Christmas, I have been using it extensively and comparing it to my Canon EOS 1DS Mark III. My conclusion: the Canon EOS 5D Mark II delivers image quality on par with the Canon EOS 1DS Mark III and adds the long awaited low light capabilities up to usable ISO 6400 (12800 and 25600 are for emergencies only, when you need to get a photo at all). So both cameras make up a great team for all occasions, I still will grab the 1DS Mark III first for a shoot, as it has all the additional features of Canon`s Pro series bodies: weather sealing, superior autofocus (a real difference to the autofocus of the 5D Mark II), 7 brackets for HDR shooting (only 3 with the 5D Mark II, which is a deal breaker for professional use on a movie set), faster frame rate and a lot of other advantages.
But... when the last sun-rays hit the lens, the 5D Mark II starts to shine. While it can´t beat the Nikon D3 and D700 with its low light sensitivity, it comes close.
I was shooting the EF 600mm f/4 L IS USM at one of the photo shootings for a soon to come Hollywood movie together with colleagues (equipped with two Nikon D3´s). That lens is simply amazing. While you hate the weight and bulkiness (5.36 kg), you fall in love with the image quality it delivers. The shot below shows the beautiful bokeh and the incredible detail you can capture, when the lens is connected to a 21 MP 5D Mark II. The crop is at 50% magnification (1200x800 pixels at 100% scaled down to 600x400). Obviously a lens of that focal length requires a sturdy tripod and careful shooting technique: mirror lock up, remote release and either spot on autofocus or manually adjusted focus via live-view.

And what about the video capture....
of course we shot some video footage with the EF 600mm f/4 L and the 5D Mark II in HD video mode. More to come here, once I had the chance to edit the material. First impressions: I have a laughing and a crying eye (we say that in German, I guess it doesn´t translate properly to English). Why? Stay tuned...

_MG_0223
Canon EOS-5D Mark II - EF 600mm f/4 L IS USM - iso100 - f/5 1/500 sec
Photo by Greg Strasz

_MG_0223-Edit
Canon EOS-5D Mark II - EF 600mm f/4 L IS USM - iso100 - f/5 1/500 sec
50% magnification (1200x800 pixels at 100% scaled down to 600x400)

Photo by Greg Strasz
|

death valley IV

_1D_5179
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso50 - f/2.8 1/2000 sec

Sand dunes at Stove Pipe Wells.


_1D_5488
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso200 - f/4.5 1/ 25 sec

The road to nowhere.
|

death valley III

_1D_5131
Canon EOS-1Ds Mark III - Leica APO-Macro-Elmarit-R 1:2.8 1/800- iso100 - f/2.8

Blindfolded lady of the sand dunes


_1D_4957

Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/4 - 10sec
|

death valley II

_1D_5139
Canon EOS-1Ds Mark III - Leica APO-Macro-Elmarit-R 1:2.8 1/2000- iso100 - f/4

Dried Mud in Stovepipe Wells.

_1D_5101
Canon EOS-1Ds Mark III - TS-E 24mm 1:3.5 L - iso100 - f/3.5 1/640

Thirsty bushes at Uhebebe Crater.

|

thanks giving in death valley

_1D_4951
Canon EOS-1Ds Mark III - EF 16-35mm 1:2.8L II USM - iso200 - f/8 -30sec

_1D_5142
Canon EOS-1Ds Mark III - Leica APO-Macro-Elmarit-R 1:2.8 1/8000- iso100 - f/2.8

No Turkey for the German guys for Thanks Giving... Death Valley instead. We (the Helicopter Boy and myself) went for a photography trip, getting up at 03:30 in the night to catch dawn at Uhebebe Crater around 05:30. Death Valley is quite pleasing in winter time, only 35 degrees celsius, not the 50 during summer. I will post more images in the next days.
|

shift and tilt

_1D_4927_26_29_28_31_30_25_adjust-Edit
Canon EOS-1Ds Mark III - TS-E 24mm 1:3.5 L - iso100 - f/4.5 - HDR exposure blending of 7 bracketed shots

First shot with the recently acquired Canon TS-E 24mm f/3.5 shift and tilt lens. Tilted to the right, the focal plane rotates away from the image plane, the power pole in the middle is in focus, while the ones to the left and right are out of focus. That Scheimpflug Principle opens some fascinating possibilities.
|

it rains in southern california

_1D_4726
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/5.6 -1/250

Yesterday, a short but heavy rain came in from sea to Venice. This shot was taken just minutes before everybody ran away from the beach to seek for cover - here in L.A. a little rain causes the same reactions as a thunder storm elsewhere in the world. I guess people are too used to their sunny californian weather. Reminds me of London: the Tube breaks down in winter, when a few snowflakes fall and people run to the streets from their offices to take pictures of that white stuff on the sidewalk...
|

halloween in hollywood

_1D_4708
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4 -1/100

_1D_4704
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4 -1/100

_1D_4702
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4 -1/100

_1D_4723
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4 -1/100

_1D_4711
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso1600 - f/4 -1/100

Halloween Parade on Santa Monica Blvd in West Hollywood/Beverly Hills, Los Angeles.
|

l.a. nights II

_1D_4436_5_4_tonemapped
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/5.6 -
HDR tonemapping of 3 shots

_1D_4439_8_7_adjust
Canon EOS-1Ds Mark III - Leica APO-Macro-Elmarit-R 1:2.8/100- iso100 - f/2.8 -
HDR exposure blending of 3 shots
|

venice beach

_1D_4151
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM -
iso100 - f/7.1 - 1/500

Venice Beach Pier

_1D_4107
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/2.8 - 1/8000
|

l.a. nights

_1D_4308
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso50 - f/5.6 - 1/30

Los Angeles at dusk shot from the Griffith Observatory.
|

back in l.a.

_1D_4189
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/2.8 - 1/640

Venice Beach - lifeguard tower


_1D_4174
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/2.8 - 1/1000

Venice Beach - miniature sandstorm

Just arrived in L.A. a few days back, to find things haven´t changed much over here in the last decade (been working here in 1997). Just more cars, different cars than in the nineties, you see these Hybrid Priuses all over the place. Venice Beach still looks the same (except Baywatch isn´t shot anymore...). Charly Temmel still sells his famous Austrian ice cream at the Ocean Front Walk, but has closed his cafe on Third Street Promenade. Prices feel like they have doubled over the years, petrol is still “cheap” compared to our German prices. 30 degrees (Centigrade that is) in mid October is something to dream of in Germany. So I hope to find some time over the next few months to cover my impressions with the camera. But first it is: housing, bank account, mobile phone, driver licence, car, ... I do love cities with proper public transport, something that most likely won´t ever happen in L.A.

_1D_4169
Canon EOS-1Ds Mark III - EF 70-200mm 1:2.8L IS USM - iso100 - f/2.8 - 1/4000

A Heidelberger in Los Angeles....
|

london calling

london_14
Sony Cybershot DSC-P9

London. Drilling platform of the European film industry. Hectic. No escape. Sometimes beautiful. Sometimes carpet in the bathroom.
Some old shots from London a few years back, 2002-2004. All taken with a point-and-shoot Sony then - more likely as memories than composed pictures. Lived there for almost 3 years altogether working at a few of Soho’s post production facilities.
These images have been posted on www.grobifx.com originally, I move them over here for their proper retirement.
|